Leatrice Joy (born Leatrice Johanna Zeidler; November 7, 1893 – May 13, 1985) was an American actress most prolific during the silent film era.
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Friday, April 30, 2021. 08:56. PM.
Leatrice Joy - Actress.
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1. Profile :
*Joy, early 1920s
Died May 13, 1985 (aged 91), Riverdale, Bronx, New York, U.S.
Resting place Saint Savior Episcopal Churchyard
Other names Beatrice Joy
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Occupation Actress
Years active 1915–1954
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Spouse(s)
1.John Gilbert - (m. 1922; div. 1925)
2.William S. Hook - (m. 1931; div. 1944)
3.Arthur Kem Westermark - (m. 1945; div. 1954)
Children 1
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2. Introduction :
Leatrice Joy (born Leatrice Johanna Zeidler; November 7, 1893 – May 13, 1985) was an American actress most prolific during the silent film era.
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3. Early life :
Joy was born in New Orleans,
Louisiana to dentist Edward Joseph Zeidler, who was of Austrian and French descent, and Mary Joy Crimens, who was of German and Irish descent. She had a brother, Billy, who later worked at Metro-Goldwyn-Mayer.
She attended the Convent of the Sacred Heart in New Orleans, where she had planned on becoming a nun, but left when her father was diagnosed with tuberculosis and was forced to give up his dental practice. She tried out for the New Orleans-based Nola Film Company in 1915 and was hired as an actress. Her mother disapproved of her becoming an actress, but the family needed the money, so her mother accompanied her to California, where she began working in plays and films.
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4. Career :
4.1. Silent films :
Joy began her acting career in stock theater companies and soon made her film debut; between April 1916 and November 1917, she was the star of about 20 one-reel Black Diamond Comedies produced by the United States Motion Picture Corporation in Wilkes-Barre, Pennsylvania, and released nationally by Paramount Pictures. In many of these, she starred as "Susie," an irrepressibly enthusiastic, impulsive young woman who gets into humorous scrapes.
In late 1917 she relocated to the relatively young film colony in Hollywood, California and began appearing in comedy shorts opposite Billy West and Oliver Hardy. Signed under contract with Samuel Goldwyn Studios, her first role for the studio was in 1917's The Pride of the Clan opposite Mary Pickford. Her career quickly gained momentum, and by 1920 she had become a highly-popular actress with the filmgoing public and was given leading-lady status opposite such performers as Wallace Beery, Conrad Nagel, Nita Naldi, and Irene Rich.
*Joy as Mary Leigh in The Ten Commandments (1923)
Directors often cast Joy in the "strong-willed independent woman" role, and the liberated atmosphere of the Jazz Age Roaring Twenties solidified her public popularity, especially with female movie goers. Her close-cropped hair and somewhat boyish persona (she was often cast as a woman mistaken for a young man) became fashionable during the era. With her increasing popularity, Joy was sought out by Cecil B. DeMille, who signed her to Paramount Pictures in 1922, immediately casting her in that year's successful high-society drama Saturday Night opposite Conrad Nagel. Joy starred in a number of successful releases for Paramount and was heavily promoted as one of DeMille's most prominent protégées.
In 1925, against the advice of studio executives, Joy parted ways with Paramount and followed DeMille to his new film company Producers Distributing Corporation, for which she made a few moderately successful films, including Lois Weber's last silent film The Angel of Broadway in 1927. After Joy impulsively cut her hair extremely short in 1926, DeMille was publicly angry as it prevented her from portraying traditional feminine roles. The studio developed projects to promote the “Leatrice Joy bob” which she wore in Made for Love, Eve's Leaves, The Clinging Vine, For Alimony Only, and Vanity. Although she regrew her hair after styles changed in early 1927, a professional dispute ended the DeMille/Joy partnership in 1928, and she was signed with MGM. That year, she headlined MGM's second part-talkie effort, The Bellamy Trial opposite Betty Bronson and Margaret Livingston.
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4.2. Transition to sound :
Joy's career began to falter with the advent of talkies, possibly because her heavy Southern accent was considered unfashionable in comparison with other actresses' refined "Mid-Atlantic" diction. In 1929, she became a freelance actress without a long term contract. In order to improve her chances of regaining her film career, she undertook a vaudeville tour from 1929 to 1931, as a training ground for returning successfully to talkies. She was particularly interested in improving her voice and learning how to better handle dialogue.
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5. Retirement and later years :
By the early 1930s, Joy was semi-retired from the motion-picture industry, but she later made several guest appearances in a few modestly-successful films, such as 1951's Love Nest, which featured a young Marilyn Monroe.
In the 1960s, Joy retired to Greenwich, Connecticut, where she lived with her daughter and son-in-law.
Joy appeared as a subject on the game show To Tell the Truth on July 1, 1963.
She was interviewed in the television documentary series Hollywood: A Celebration of the American Silent Film (1980).
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6. Personal life :
Joy was married three times and had one child. On March 22, 1922, she married actor John Gilbert. They had a daughter, Leatrice, who later acted in bit parts; she was the first wife of novelist and playwright Ernest Gébler. Joy filed for divorce in August 1924, citing Gilbert's infidelity and alcoholism. Joy's second marriage was to businessman William Spencer Hook on October 22, 1931; they divorced in 1944. Joy's third and final marriage was to former actor and electrical engineer Arthur Kem Westermark. They married on March 5, 1945, in Mexico City and divorced in October 1954.
During her silent film career in the 1920s, she was Hollywood's best known Christian Scientist.
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7. Death :
On May 13, 1985, Joy died from acute anemia at the High Ridge House Christian Science nursing home in Riverdale, Bronx, New York. She was interred at the Saint Savior Episcopal Churchyard in Old Greenwich, Connecticut.
For her contribution to the motion picture industry, Leatrice Joy has a star on the Hollywood Walk of Fame at 6517 Hollywood Blvd. in Hollywood, California.
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8. Filmography :
Year Title Role Notes
1915 His Turning Point Mrs. Carey
1916 The Folly of Revenge Antonio's Daughter
The Other Man short film
A Troublesome Trip unconfirmed role short film
Their Counterfeit Vacation unconfirmed role short film
Auto Intoxication short film
credited as Beatrice Joy
1917 Excess Baggage Sue Topper short film
The Pride of the Clan Extra uncredited
A Girl's Folly Girl uncredited
Her Scrambled Ambition Susie short film
The Magic Vest short film
credited as Beatrice Joy
Speed short film
credited as Beatrice Joy
Getting the Evidence short film
credited as Beatrice Joy
The Wishbone short film
credited as Beatrice Joy
Her Iron Will short film
credited as Beatrice Joy
Her Fractured Voice short film
credited as Beatrice Joy
Susie of the Follies Susie short film
credited as Beatrice Joy
The Window Dresser's Dream short film
credited as Beatrice Joy
Wits and Fits short film
credited as Beatrice Joy
The Rejuvenator short film
credited as Beatrice Joy
Susie the Sleepwalker Susie short film
credited as Beatrice Joy
Susie's Scheme Susie short film
credited as Beatrice Joy
Susie Slips One Over Susie short film
credited as Beatrice Joy
The Candy Kid short film
Nearly a Baker short film
credited as Beatrice Joy
A Society Scrimmage short film
credited as Beatrice Joy
The Slave Susie, his daughter short film
lost film
1918 The Stranger Susie short film
His Day Out Joy short film
The Orderly short film
The Scholar short film
The Messenger short film
The Handy Man short film
Shackled Undetermined role uncredited/unconfirmed
One Dollar Bid Emily Dare
The City of Tears Maria lost film
Wedlock Jane Hollister
Her Man alternative titles: The Battle Cry
The Woman Eternal
Three X Gordon Farmer's Daughter
1919 The Man Hunter Florence lost film
The Water Lily undetermined role
1920 Just a Wife Mary Virginia Lee
The Right of Way Rosalie Eventurail lost film
Blind Youth Hope Martin lost film
Smiling All the Way Alice Drydan
The Invisible Divorce Pidgie Ryder lost film
Down Home Nance Pelot
1921 Bunty Pulls the Strings Bunty Biggar lost film
A Tale of Two Worlds Sui Sen
The Ace of Hearts Lilith
Ladies Must Live Barbara lost film
The Poverty of the Riches Katherine Colby lost film
Voices of the City Georgia Rodman lost film
1922 Saturday Night Iris Van Suydam
The Bachelor Daddy Sally Lockwood lost film
A Trip to Paramountown Herself short film
Manslaughter Lydia Thorne
The Man Who Saw Tomorrow Rita Pring lost film
Minnie Minnie lost film
1923 Java Head Taou Yuen lost film
You Can't Fool Your Wife Edith McBride lost film
The Silent Partner Lisa Coburn lost film
Hollywood Cameo role lost film
The Ten Commandments Mary Leigh
1924 The Marriage Cheat Helen Canfield incomplete
Triumph Ann Land
Changing Husbands Gwynne Evans/Eva Graham
1925 The Dressmaker from Paris Fifi lost film
Hell's Highroad Judy Nichols
The Wedding Song Beatrice Glynn
1926 Made for Love Joan Ainsworth
Eve's Leaves Eve Corbin
The Clinging Vine Antoinette B. "A.B." Allen
For Alimony Only Mary Martin Williams
1927 Girl in the Rain
Nobody's Widow Roxanna Smith
Vanity Barbara Fiske
The Angel of Broadway Babe Scott lost film
1928 The Blue Danube Marguerite
Man-Made Women Nan Payson
Show People Herself - at Banquet uncredited
Tropic Madness Juanita
1929 The Bellamy Trial Sue Ives
Strong Boy Mary McGregor lost film
A Most Immoral Lady Laura Sergeant
1930 The Love Trader Martha Adams
1939 First Love Grace Shute Clinton alternative title: Cinderella
1940 The Old Swimmin' Hole Mrs. Julie Carter
1949 Red Stallion in the Rockies Martha Simpson
Air Hostess Celia Hansen
1951 Love Nest Eadie Gaynor
1953-1954 Westinghouse Studio One various roles 2 episodes
1954 Robert Montgomery Presents episode: "The Steady Man"
End.
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