Florence Lawrence (born Florence Annie Bridgwood; January 2, 1886 – December 28, 1938) was a Canadian-American stage performer and film actress. She is often referred to as the "first movie star", and was thought to be the first film actor to be named publicly until evidence published in 2019 indicated that the first named film star was French actor Max Linder.[1] At the height of her fame in the 1910s, she was known as the "Biograph Girl" for work as one of the leading ladies in silent films from the Biograph Company. She appeared in almost 300 films for various motion picture companies throughout her career.
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Tuesday, February 02, 2021. 07:21. AM.
Florence Lawrence-Actress
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1. Profile :
*Lawrence in 1908
Born Florence Annie Bridgwood, January 2, 1886, Hamilton, Ontario, Canada,
Died December 28, 1938 (aged 52), Beverly Hills, California, U.S.
Cause of death Suicide by poison
Resting place Hollywood Forever Cemetery
Other names The Biograph Girl
The Imp Girl
Spouse(s)
1.Harry Solter - (m. 1908; died 1920)?
2.Charles Woodring,- (m. 1921; div. 1932)?
3.Henry Bolton - (m. 1933; div. 1934)
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2. Introduction :
Florence Lawrence (born Florence Annie Bridgwood; January 2, 1886 – December 28, 1938) was a Canadian-American stage performer and film actress. She is often referred to as the "first movie star", and was thought to be the first film actor to be named publicly until evidence published in 2019 indicated that the first named film star was French actor Max Linder. At the height of her fame in the 1910s, she was known as the "Biograph Girl" for work as one of the leading ladies in silent films from the Biograph Company. She appeared in almost 300 films for various motion picture companies throughout her career.
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3. Early life :
On February 18, 1898, George Bridgwood died from accidental coal gas poisoning at his home in Hamilton (Lawrence's parents had been separated since she was four years old). Lotta Lawrence moved the family from Hamilton to Buffalo, New York to live with her mother Ann Dunn. She chose to stop bringing her children along for stage performances and for the first time, Florence was enrolled in school. After graduating, Lawrence rejoined her mother's dramatic company. However, her mother disbanded the Lawrence Dramatic Company shortly thereafter; the two moved to New York City around 1906.
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4. Early career: film and stage :
*Lawrence in a Frank C. Bangs Studio portrait, c. 1908
She was one of several Canadian pioneers in the film industry who were attracted by the rapid growth of the fledgling motion picture business. In 1906, she appeared in her first motion picture. The next year, she appeared in 38 movies for the Vitagraph film company. During the spring and summer of 1906, Lawrence auditioned for a number of Broadway productions, but she did not have success. However, on December 27, 1906, she was hired by the Edison Manufacturing Company to play Daniel Boone's daughter in Daniel Boone; or, Pioneer Days in America. She got the part because she knew how to ride a horse. Both she and her mother received parts and were paid five dollars per day for two weeks of outdoor filming in freezing weather.
In 1907, she went to work for the Vitagraph Company in Brooklyn, New York, acting as Moya, an Irish peasant girl in a one-reel version of Dion Boucicault's The Shaughraun. She returned briefly to stage acting, playing the leading role in a road show production of Melville B. Raymond's Seminary Girls. Her mother played her last role in this production. After touring with the roadshow for a year, Lawrence resolved that she would "never again lead that gypsy life". In 1908, she returned to Vitagraph where she played the lead role in The Dispatch Beare. Largely as a result of her equestrian skills, she received parts in 11 films in the next five months.
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5. Biograph Studios :
Also at Vitagraph was a young actor, Harry Solter, who was looking for "a young, beautiful equestrian girl" to star in a film to be produced by the Biograph Studios under the direction of D. W. Griffith. Griffith, the most prominent producer-director at Biograph Studios, had noticed the beautiful blonde-haired woman in one of Vitagraph's films. Because the film's actors received no mention, Griffith had to make discreet inquiries to learn she was Florence Lawrence and to arrange a meeting. Griffith had intended to give the part to Florence Turner, Biograph's leading lady, but Lawrence managed to convince Solter and Griffith that she was the best suited for the starring role in The Girl and the Outlaw. With the Vitagraph Company, she had been earning $20 per week, working also as a costume seamstress over and above acting. Griffith offered her a job, acting only, for $25 per week.
After her success in this role, she appeared as a society belle in Betrayed by a Handprint and as an Indian in The Red Girl. In total, she had parts in most of the 60 films directed by Griffith in 1908. Toward the end of 1908, Lawrence married Harry Solter. Lawrence gained much popularity, but because her name never was publicized, fans began writing to the studio asking to know her identity. Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name and fans simply called her the "Biograph Girl".[7] During cinema's formative years, silent screen actors were not named because studio owners feared that fame might lead to demands for higher wages and because many actors were embarrassed to be performing pantomime in motion pictures. She continued to work for Biograph in 1909. Her demand to be paid by the week rather than daily was met, and she received double the normal rate.
She achieved great popularity in the "Jones" series, film's first comedy series, in which she played Mrs. Jones in around a dozen films. More popular still were the dramatic love stories in which she co-starred with John R. Cumpson as Mr. Jones and Arthur Johnson. The two played husband and wife in The Ingrate, and the adulterous lovers in Resurrection. Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director. Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they promptly were fired.
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6. Independent Moving Pictures Company :
*Carl Laemmle's promotion of The Broken Oath, a film starring Lawrence (Billboard 1910)
Finding themselves 'at liberty', Lawrence and Solter in 1909 were able to join the Independent Moving Pictures Company of America (IMP). The company, founded by Carl Laemmle, the owner of a film exchange (who later absorbed IMP into Universal Pictures, of which he was founder and president), was looking for experienced filmmakers and actors. Needing a star, he lured Lawrence away from Biograph by promising to give her a marquee. First, Laemmle organized a publicity stunt by starting a rumor that Lawrence had been killed by a street car in New York City. Then, after gaining much media attention, he placed ads in the newspapers that announced "We nail a lie" and included a photo of Lawrence. The ad declared she is alive and well and making The Broken Oath, a new movie for his IMP Film Company to be directed by Solter.
Laemmle had Lawrence make a personal appearance in St. Louis, Missouri in March 1910 with her leading man to show her fans that she was very much alive, making her one of the early performers not already famous in another medium to be identified by name by her studio.
The fans in St. Louis were so thrilled to see Lawrence alive that they grabbed at her and popped the buttons off her coat. Laemmle used this to generate further attention by falsely claiming that Lawrence's St. Louis fans rushed her in a frenzy and tore her clothes off. Partially due to Laemmle's ingenuity, the "star system" was born, and before long, Florence Lawrence became a household name. However, her fame also proved that the studio executives who had concerns over wage demands soon had their fears proved correct. Laemmle managed to lure William V. Ranous, one of Vitagraph's better directors, over to IMP. Ranous introduced Laemmle to Lawrence and Solter, and they began to work together. Lawrence and Solter worked for IMP for 11 months, making 50 films. After this, they went on vacation in Europe.
When they returned to the United States, they joined a film company headed by Siegmund Lubin, described as the "wisest and most democratic film producer in history". She once again teamed with Arthur Johnson, and the pair made 48 films together under Lubin's direction. At the time, the film industry was controlled by the Motion Picture Patents Company (MPPC), a trust formed by the major film companies. IMP was not a member of the MPPC, and hence operated outside its distribution system. Theaters found showing IMP films lost the right to screen MPPC films. IMP, therefore, had powerful enemies in the film industry. It managed to survive largely due to Lawrence's popularity.
7. Lubin Studios :
By late 1910, Lawrence left IMP to work for Lubin Studios, advising her fellow Canadian, the 18-year-old Mary Pickford, to take her place as IMP's star.
8. Victor Film Company :
*Scene of Lawrence (far right) in the 1912 Victor production After All. Other cast include (from left) Owen Moore, Victory Bateman on step, and Gladden James.
In 1912, Lawrence and Solter made a deal with Carl Laemmle, forming their own company. Laemmle gave them complete artistic freedom in the company, named Victor Film Company, and paid Lawrence $500 per week as the leading lady, and Solter $200 per week as director. They established a film studio in Fort Lee, New Jersey and made a number of films starring Lawrence and Owen Moore, then sold to the Universal Pictures in 1913. With this new prosperity, Florence was able to realize a 'lifelong dream,' buying a 50-acre (20 ha) estate in River Vale, New Jersey. In August 1912, she had a fight with her husband, in which he "made cruel remarks about his mother-in-law". He left and went to Europe. However, he wrote "sad" letters to her every day, telling her of his plans to commit suicide. His letters "softened her feelings", and they were re-united in November 1912. Lawrence announced her intention to retire.
She was persuaded to return to work in 1914 for her company (Victor Film Company), which had been acquired by Universal Studios. During the filming of Pawns of Destiny in 1915, a staged fire got out of control. Lawrence was burned, her hair was singed, and she suffered a serious fall which fractured her spine.[5] She went into shock for months. She returned to work, but collapsed after the film was completed. To add to her problems, Universal refused to pay her medical expenses, leaving Lawrence feeling betrayed. In mid-1916, she returned to work for Universal and completed Elusive Isabel. However, the strain of working took its toll on her, and she suffered a serious relapse. She was completely paralyzed for four months. In 1921, she traveled to Hollywood to attempt a comeback, but had little success. She received a leading role in a minor melodrama (The Unfoldment), and then two supporting roles. All her film work after 1924 was in uncredited, bit parts.
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9. Personal life :
Lawrence was married three times and had no children. Her first marriage was to actor, screenwriter and director Harry Solter in 1908. They remained married until Solter's death in 1920. She then married automobile salesman Charles Byrne Woodring in 1921. They separated in 1929; Lawrence was granted an interlocutory divorce in February 1931, which was finalized the following year. During the 1920s, Lawrence and Woodring opened a cosmetics store in Los Angeles called Hollywood Cosmetics. The store sold theatrical makeup and also sold a line of cosmetics that Lawrence developed. They continued their partnership after their separation in 1929, but the store was forced to close in 1931.
In 1933, Lawrence wed for the third and final time, to Henry Bolton, who turned out to be an abusive alcoholic and beat her severely.] The union lasted five months.
Besides her film career, Lawrence is credited with designing the first "auto signaling arm", a predecessor of the modern turn signal, along with the first mechanical brake signal. She did not patent these inventions, however, and as a result she received no credit for, nor profit from, either one.
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10. Later years :
*Grave of Florence Lawrence at Hollywood Forever Cemetery
By the late 1920s, Lawrence's popularity had declined and she suffered several personal losses. She was devastated when her mother, to whom she was close, died suddenly in August 1929. Four months later, she separated from her second husband, Charles Woodring.[14] While Lawrence earned a small fortune during her film career, she made many poor business decisions. She lost much of her fortune after the stock market crash in October 1929 and ensuing Great Depression. The cosmetics store that she and her second husband opened in Los Angeles also lost business because of the Depression, and the couple was forced to close its doors in 1931.
By the early 1930s, Lawrence's acting career consisted solely of extra and bit parts which were often uncredited. In 1936, Metro-Goldwyn-Mayer studio head Louis B. Mayer began giving extra and bit parts to former silent film actors for $75 per week. Lawrence, along with other "old timers" from the silent era whose careers had all but ended when sound films replaced silent films, signed with M-G-M. Lawrence remained with the studio until her death.
In mid-1937, Lawrence was diagnosed with what her doctor described as "a bone disease which produces anemia and depression." The disease was likely myelofibrosis, a rare bone marrow disease, or agnogenic myeloid metaplasia, both of which were incurable at the time. Due to her poor health and chronic pain, Lawrence became depressed but attempted to keep working. Around this time she moved into a home on Westbourne Drive in West Hollywood, with a studio worker named Robert "Bob" Brinlow and his sister.
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11. Death :
At 1 p.m. on December 28, 1938, Lawrence phoned the offices of M-G-M where she was to report to work that afternoon, claiming that she was ill. Sometime later in the afternoon, Lawrence ingested ant poison and cough syrup[21] at her home in West Hollywood. Accounts differ as to how Lawrence was discovered; some media reports stated her neighbor Marian Menzer heard her screams, while others say that Lawrence called Menzer stating that she poisoned herself. Menzer called an ambulance, and Lawrence was rushed to Beverly Hills Emergency Hospital. Doctors were unable to save Lawrence, who died at 2:45 p.m.[22] Lawrence left a suicide note in her home addressed to her housemate Bob Brinlow stating:
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12. Dear Bob, :
Call Dr. Wilson. I am tired. Hope this works. Good bye, my darling. They can't cure me, so let it go at that.
Lovingly, Florence - P.S. You've all been swell guys. Everything is yours.
Lawrence's death was ruled a "probable suicide" owing to her "ill health". The Motion Picture & Television Fund paid for Lawrence's funeral, held on December 30, and for her unmarked grave in the Hollywood Cemetery (now Hollywood Forever Cemetery) in Hollywood. Her grave remained unmarked until 1991, when a British actor (who chose to remain anonymous) paid for a memorial marker for her. It reads: "The Biograph Girl/The First Movie Star". The date of birth on Lawrence's headstone is given as 1890. This inaccuracy was also stated on her death certificate filled out by the coroner. Lawrence's biographer, Kelly R. Brown, owed this mistake to "Lawrence's own brand of fiction" as she routinely subtracted years off her age. The mistake was repeated by the Pierce Brothers Mortuary, where Lawrence's funeral was held, although most obituaries printed her correct year of birth: 1886.
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13. Cultural references :
In William J. Mann's novel The Biograph Girl (2000), Mann blends the facts of Lawrence's life with fiction. Instead of fading into oblivion and committing suicide, Lawrence, with the help of a doctor, fools the public into thinking she committed suicide. A journalist discovers Lawrence at the nursing home where she has lived secretly, and he decides to write a biography of her.
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14. Filmography :
14.1. Short subject :
The Automobile Thieves (1906)
Daniel Boone (1907) as Boones' daughter
The Boy, the Bust and the Bath (1907)
Athletic American Girls (1907)
Bargain Fiend; or, Shopping à la Mode (1907)
The Shaughraun (1907) as Moya
The Mill Girl (1907)
The Despatch Bearer; or, Through the Enemy's Lines (1907)
The Dispatch Bearer (1907)
Cupid's Realm; or, A Game of Hearts (1908)
Macbeth (1908) as Banquet Guest
Romeo and Juliet (1908) as Juliet
Lady Jane's Flight (1908) as Lady Jane
The Viking's Daughter: The Story of the Ancient Norsemen (1908) as Theckla, the Viking's Daughter
Love Laughs at Locksmiths; an 18th Century Romance (1908)
The Bandit's Waterloo (1908)
Salome (1908) as Salome
Betrayed by a Handprint (1908) as Myrtle Vane
The Girl and the Outlaw (1908) as Woman
Behind the Scenes (1908) as Mrs. Bailey
The Red Girl (1908) as The Red Girl
The Heart of O'Yama (1908) as O'Yama
Where the Breakers Roar (1908) as At the Beach
A Smoked Husband (1908) as Mrs. Bibbs
Richard III (1908)
The Stolen Jewels (1908) as Mrs. Jenkins
The Devil (1908) as A Model
The Zulu's Heart (1908) as The Boer's Wife
Father Gets in the Game (1908) as First Couple
Ingomar, the Barbarian (1908) as Parthenia
The Vaquero's Vow (1908) as Wedding Party / In Bar
The Planter's Wife (1908) as Tomboy Nellie
Romance of a Jewess (1908) as Ruth Simonson
The Call of the Wild (1908) as Gladys Penrose
Concealing a Burglar (1908) as Mrs. Brown
Antony and Cleopatra (1908) as Cleopatra
After Many Years (1908) as Mrs. John Davis
The Pirate's Gold (1908)
The Taming of the Shrew (1908) as Katharina
The Song of the Shirt (1908) as Working Woman - 1st Sister
A Woman's Way (1908)
The Ingrate (1908) as The Trapper's Wife
An Awful Moment (1908)
The Clubman and the Tramp (1908) as Bridget / Dinner Guest
Julius Caesar (1908) as Calpurnia
Money Mad (1908) as Bank Customer / Landlady
The Valet's Wife (1908) as Nurse
The Feud and the Turkey (1908) as Nellie Caufield's Sister
The Reckoning (1908) as The Wife
The Test of Friendship (1908) as Jennie Colman
The Dancer and the King: A Romantic Story of Spain (1908)
The Christmas Burglars (1908) as Mrs. Martin
Mr. Jones at the Ball (1908) as Mrs. Jones
The Helping Hand (1908) as At Brothel / Wedding Guest
A Calamitous Elopement (1908)
One Touch of Nature (1909) as Mrs. John Murray
Mrs. Jones Entertains (1909) as Mrs. Jones
The Honor of Thieves (1909) as Rachel Einstein
The Sacrifice (1909) as Mrs. Hardluck
Those Boys! (1909) as The Maid
The Criminal Hypnotist (1909) as The Maid
The Fascinating Mrs. Francis (1909) as Visitor
Mr. Jones Has a Card Party (1909) as Mrs. Jones
Those Awful Hats (1909) as Theatre Audience (uncredited)
The Cord of Life (1909) as Woman in Tenement
The Girls and Daddy (1909) as Dr. Payson's First Daughter
The Brahma Diamond (1909) as The Guard's Sweetheart
A Wreath in Time (1909) as Mrs. John Goodhusband
Tragic Love (1909) as The Maid / In Factory
The Curtain Pole (1909) as Mrs. Edwards
His Ward's Love (1909) as The Reverend's Ward
The Joneses Have Amateur Theatricals (1909) as Mrs. Jones
The Politician's Love Story (1909)
The Golden Louis (1909)
At the Altar (1909) as Girl at Wedding
Saul and David (1909)
The Prussian Spy (1909) as The Maid
His Wife's Mother (1909) as Mrs. Jones
A Fool's Revenge (1909)
The Wooden Leg (1909) as Claire
The Roue's Heart (1909) as Noblewoman
The Salvation Army Lass (1909) as Mary Wilson
The Lure of the Gown (1909) as Veronica
I Did It (1909)
The Deception (1909) as Mabel Colton
And a Little Child Shall Lead Them (1909)
The Medicine Bottle (1909) as Mrs. Ross
Jones and His New Neighbors (1909) as Mrs. Jones
A Drunkard's Reformation (1909) as Woman In the Play
Trying to Get Arrested (1909) as The Nanny
The Road to the Heart (1909) as Mexican Woman
Schneider's Anti-Noise Crusade (1909) as Mrs. Schneider
The Winning Coat (1909) as Lady-in-Waiting
A Sound Sleeper (1909) as Second Woman
Confidence (1909) as Nellie Burton
Lady Helen's Escapade (1909) as Lady Helen
A Troublesome Satchel (1909) as In Crowd
The Drive for Life (1909) as Mignon
Lucky Jim (1909) as Wedding Guest
Tis an Ill Wind that Blows No Good (1909) as Mary Flinn
The Eavesdropper (1909)
The Note in the Shoe (1909) as Ella Berling
One Busy Hour (1909) as Customer
The French Duel (1909) as Nurse
Jones and the Lady Book Agent (1909) as Mrs. Jones
A Baby's Shoe (1909) as The Poor Mother
The Jilt (1909) as Mary Allison - Frank's Sister
Resurrection (1909) as Katucha
The Judgment of Solomon (1909)
Two Memories (1909) as Party Guest
Eloping with Auntie (1909) as Margie
What Drink Did (1909) as Mrs. Alfred Lucas
Eradicating Aunty (1909) as Flora - Aunty's Ward
The Lonely Villa (1909)
Her First Biscuits (1909) as Mrs. Jones
The Peachbasket Hat (1909) as Mrs. Jones
The Way of Man (1909) as Mabel Jarrett
The Necklace (1909)
The Country Doctor (1909) as Mrs. Harcourt
The Cardinal's Conspiracy (1909) as Princess Angela
Tender Hearts (1909) as Minor Role
Sweet and Twenty (1909) as Alice's Sister
Jealousy and the Man (1909) as Mrs. Jim Brooks
The Slave (1909) as Nerada
The Mended Lute (1909) as Rising Moon
Mr. Jones' Burglar (1909) as Mrs. Jones
Mrs. Jones' Lover (1909) as Mrs. Jones
The Hessian Renegades (1909)
Lines of White on a Sullen Sea (1909)
Love's Stratagem (1909) as The Girl
Nursing a Viper (1909)
The Forest Ranger's Daughter (1909) as The Forest Ranger's Daughter
Her Generous Way (1909)
Lest We Forget (1909)
The Awakening of Bess (1909) as Bess
Mrs. Jones Entertains (1909) as Mrs. Jones
The Awakening (1909)
The Winning Punch (1910)
The Right of Love (1910)
The Tide of Fortune (1910)
Never Again (1910) as Mrs. Henpecker, Temperance Crusader
The Coquette's Suitors (1910)
Justice in the Far North (1910)
The Blind Man's Tact (1910)
Jane and the Stranger (1910) as Jane
The Governor's Pardon (1910)
The New Minister (1910)
Mother Love (1910) as The Mother
The Broken Oath (1910)
The Time-Lock Safe (1910) as The Mother
His Sick Friend (1910) as The Wife
The Stage Note (1910)
Transfusion (1910)
The Miser's Daughter (1910) as The Miser's Daughter
His Second Wife (1910)
The Rosary (1910)
The Maelstrom (1910)
The New Shawl (1910) as Marie
Two Men (1910) as The Orphan
The Doctor's Perfidy (1910)
The Eternal Triangle (1910) as The Wife
The Nichols on Vacation (1910) as Mrs. Nichols
A Reno Romance (1910) as Grace
A Discontented Woman (1910)
A Self-Made Hero (1910) as The Girl
A Game for Two (1910) as Mrs. Henderson
The Call of the Circus (1910)
Old Heads and Young Hearts (1910)
Bear Ye One Another's Burden (1910) as Mrs. George Rand
The Irony of Fate (1910)
Once Upon a Time (1910)
Among the Roses (1910) as The Rose Girl
The Senator's Double (1910)
The Taming of Jane (1910) as Jane
The Widow (1910) as The Widow
The Right Girl (1910)
Debt (1910)
Pressed Roses (1910)
All the World's a Stage (1910)
The Count of Montebello (1910) as The Heiress
The Call (1910)
The Forest Ranger's Daughter (1910)
The Mistake (1910)
His Bogus Uncle (1911) as The Object of Their Affection
Age Versus Youth (1911) as Nora Blake
A Show Girl's Stratagem (1911) as Ethel Lane
The Test (1911) as Miss Gillman
Nan's Diplomacy (1911) as Nan
Vanity and Its Cure (1911) as Effie Hart
His Friend, the Burglar (1911) as Mrs. Tom Dayton - The Wife
The Actress and the Singer (1911) as The Actress
Her Artistic Temperament (1911) as Flo
Her Child's Honor (1911) as The Mother
The Wife's Awakening (1911) as The Wife
Opportunity and the Man (1911) as Flora Hamilton
The Two Fathers (1911) as Gladys
The Hoyden (1911) as Gladys Weston
The Sheriff and the Man (1911)
A Fascinating Bachelor (1911) as The Nurse
That Awful Brother (1911) as Florence
Her Humble Ministry (1911) as The Reformed Woman
A Good Turn (1911)
The State Line (1911) as The Sheriff's Daughter
A Game of Deception (1911) as The Actress
The Professor's Ward (1911) as Edith - The Professor's Ward
Duke De Ribbon Counter (1911) as Lillian De Mille
Higgenses Versus Judsons (1911) as Freda Judson
The Little Rebel (1911) as Rosalind Trevaine
Always a Way (1911) as Ruth Craven
The Snare of Society (1911) as Mary Williams
During Cherry Time (1911) as Violet - the Country Girl
The Gypsy (1911) as Zara - the Gypsy
Her Two Sons (1911) as The Younger Brother's Wife
Through Jealous Eyes (1911) as Flo - the Doctor's Office Nurse
A Rebellious Blossom (1911) as Flo = the Rebellious Daughter
The Secret (1911) as Diana Stanhope
Romance of Pond Cove (1911) as Florence Earle
The Story of Rosie's Rose (1911) as Rosie Carter
The Life Saver (1911) as Jessie Storm - the Local Girl
The Matchmaker (1911) as Evelyn Bruce - the Young Governess
The Slavey's Affinity (1911) as Peggy - a Boarding House Drudge
The Maniac (1911) as Dora Elsmore
A Rural Conqueror (1911) as Marjorie Thorne
One on Reno (1911) as Mrs. Appleby
Aunt Jane's Legacy (1911) as Bessie Elkins - the Niece
His Chorus Girl Wife (1911) as Sybil Sanford - a Chorus Girl
A Blind Deception (1911) as Ellen Austin - the Nurse
A Head for Business (1911) as Phyllis Moore
A Girlish Impulse (1911) as Gladys Stevens
Art Versus Music (1911) as Ethel Vernon
The American Girl (1911)
Flo's Discipline (1911)
A Village Romance (1912) as Flo - the Country Girl
The Players (1912) as Flo Lakewood
Not Like Other Girls (1912) as Flo
Taking a Chance (1912) as Mrs. Flo Mills
The Mill Buyers (1912) as Flo
The Chance Shot (1912) as Flo
Her Cousin Fred (1912) as Flo Ballard
The Winning Punch (1912) as Nellie Wilson
After All (1912) as Margie
All for Love (1912) as Flo
Flo's Discipline (1912) as Florence Dow
The Advent of Jane (1912) as Dr. Jane Bixby
Tangled Relations (1912) as Florence the Governess
Betty's Nightmare (1912) as Betty
The Cross-Roads (1912) as Annabel Spaulding
The Angel of the Studio (1912) as Roxie
The Redemption of Riverton (1912) as June Martin
Sisters (1912) as Annie / Mary (twin sisters)
The Lady Leone (1912) as Lady Leone Mervyn
A Surgeon's Heroism (1912)
The Closed Door (1913) as Florence Ashleigh
The Girl o'the Woods (1913) as Mab Hawkins
The Spender (1913) as Flo
His Wife's Child (1913) as Flo
Unto the Third Generation (1913) as Esther Stern
The Influence of Sympathy (1913) as The Wife
A Girl and Her Money (1913) as Florence Kingsley
Suffragette's Parade in Washington (1913)
The Counterfeiter (1913)
The Coryphee (1914) as Florence
The Romance of a Photograph (1914) as Flo
The False Bride (1914) as Florence Gould & Amy St. Clair (Dual Role)
The Law's Decree (1914) as Flo
The Stepmother (1914) as Flo
The Honeymooners (1914) as Florence Blair
Diplomatic Flo (1914) as Flo
The Little Mail Carrier (1914) as Flo - the Little Mail Carrier
The Pawns of Destiny (1914) as Flo
The Bribe (1914)
A Disenchantment (1914) as Flo - the Maid
The Doctor's Testimony (1914) as Florence Lund
A Singular Cynic (1914) as Flo Welton
Her Ragged Knight (1914) as Flo - Bob's Ward
The Mad Man's Ward (1914)
The Honor of the Humble (1914) as Flo Soule - The Gamekeeper's Daughter
Counterfeiters (1914) as Flo
A Mysterious Mystery (1914) as Miss Lawrence
The Woman Who Won (1914) as Florence Lloyd
The Great Universal Mystery (1914) as Herself
Face on the Screen (1917)
The Love Craze (1918)
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15. Film :
The Reg Girl (1908)
A Singular Sinner (1914)
Elusive Isabel (1916) as Isabel Thorne
The Unfoldment (1922) as Katherine Nevin
The Satin Girl (1923) as Sylvia
Lucretia Lombard (1923)
Gambling Wives (1924) as Polly Barker
The Johnstown Flood (1926) as Townswoman (uncredited)
The Greater Glory (1926) as Woman (uncredited)
Sweeping Against the Winds (1930)
Homicide Squad (1931)
Pleasure (1931) as Martha
The Hard Hombre (1931) as The Sister (uncredited)
So Big (1932) as Mina (uncredited)
Sinners in the Sun (1932) (uncredited)
Secrets (1933) as Minor Role (uncredited)
The Silk Express (1933) as Minor Role (uncredited)
The Old Fashioned Way (1934, unverified) as Minor Role (uncredited)
Man on the Flying Trapeze (1935, unverified) (uncredited)
The Crusades (1935) as Minor Role (uncredited)
Yellow Dust (1936) as Minor Role (uncredited)
One Rainy Afternoon (1936) as Minor Role (uncredited)
Hollywood Boulevard (1936) as Minor Role (scenes deleted)
Night Must Fall (1937) as Minor Role (uncredited) (final film role)
End.
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