Johnnie Lucille Collier (April 12, 1923 – January 22, 2004), known professionally as Ann Miller, was an American dancer, singer, and actress. She is best remembered for her work in the Classical Hollywood cinema musicals of the 1940s and 1950s.

==================================================================


---------------------------------------------------------------------------------------------------------
07/04/2020.

Ann Miller - Dancer, singer, actress 
----------------------------------------------------------------------------------------------------------
1. Profile :

*Ann Miller Publicity photo, 1957

Born Johnnie Lucille Collier, April 12, 1923, Chireno, Texas, US
Died January 22, 2004 (aged 80), Los Angeles, California, U.S.
Resting place Holy Cross Cemetery, Culver City
Occupation Dancer, singer, actress
Years active 1934–2001



Spouse(s)
Reese Milner
(m. 1946; div. 1947)

Bill Moss
(m. 1958; div. 1961)

Arthur Cameron
(m. 1961; div. 1962)

Children 1 (deceased)
---------------------------------------------------------------------------------------------------
2. Introduction :

Johnnie Lucille Collier (April 12, 1923 – January 22, 2004), known professionally as Ann Miller, was an American dancer, singer, and actress. She is best remembered for her work in the Classical Hollywood cinema musicals of the 1940s and 1950s.
-----------------------------------------------------------------------------------------------------
3. Early life :

Johnnie Lucille Collier (other sources give other names, Lucille Collier, Lucy Ann Collier), was born in Chireno, Texas, to Clara Emma (née Birdwell) and John Allison Collier, a criminal lawyer who represented the Barrow gang, Machine Gun Kelly, and Baby Face Nelson, among others.Her maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She began to take dance classes at the age of five, after suffering from rickets. Her mother believed that these classes would help strengthen her young daughter's legs.


She lived in Houston, Texas, until she was nine, when her parents divorced, reportedly due to her father's infidelities. Her mother moved with her to Los Angeles. As her mother was deaf, finding work was hard for her; however, because Miller looked much older than she was, she began to work as a dancer in nightclubs and supported both of them. About this time, she adopted the stage name Ann Miller, which she kept throughout her career.


She was considered a child dance prodigy. In an interview in a "behind the scenes" documentary on the making of the compilation film That's Entertainment! Part III (1994), she said Eleanor Powell was an early inspiration.
-----------------------------------------------------------------------------------------------------
4. Career :


At age 13, in 1936, Miller became a showgirl at the Bal Tabarin. She was hired as a dancer in the "Black Cat Club" in San Francisco (she reportedly told them she was 18). There, she was discovered by Lucille Ball and talent scout/comic Benny Rubin (although some sources say this occurred at Bal Tabarin. This led Miller to be given a contract with RKO in 1936 at the age of 13 (she had also told them she was 18, and apparently provided a fake birth certificate, procured by her father - with the name "Lucy Ann Collier") and she remained there until 1940. In 1937, she played Ginger Rogers’ dancing partner in Gregory La Cava’s Stage Door. In 1938, she played the quirky, constantly dancing Essie Carmichael in the best-picture Oscar-winner, Frank Capra's You Can't Take it With You, starring Jean Arthur, Lionel Barrymore, Jimmy Stewart and Edward Arnold.


In 1941, she signed with Columbia Pictures, where, starting with Time Out for Rhythm, she starred in 11 B movie musicals from 1941 to 1945. In July 1945, with World War II still raging in the Pacific, she posed in a bathing suit as a Yank magazine pin-up girl. She ended her contract in 1946 with one "A" film, The Thrill of Brazil. The ad in Life magazine featured Miller's leg in a stocking tied with a large red bow as the "T" in "Thrill". She finally hit her mark in Metro-Goldwyn-Mayer musicals such as Easter Parade (1948), On the Town (1949), and Kiss Me Kate (1953).


In later life, Miller claimed to have invented pantyhose in the 1940s as a solution to the continual problem of tearing stockings during the filming of dance production numbers. The common practice had been to sew hosiery to briefs. If torn, the entire garment had to be removed and resewn with a new pair. Miller asked a hosiery maker to produce a single combined garment.


Miller was famed for her speed in tap dance. Studio publicists concocted press releases claiming she could tap 500 times per minute, but, in truth, the sound of ultra-fast "500" taps was looped in later. Because the stage floors were waxed and too slick for regular tap shoes, she had to dance in shoes with rubber treads on the sole. Later, she would loop the sound of the taps while watching the film and actually dancing on a "tap board" to match her steps in the film.


She was known, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamour: massive black bouffant hair, heavy makeup with a splash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs.


Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theater and on television. In 1969, she starred on Broadway in the musical Mame, has in which she wowed the audience in a tap number created just for her. In 1979, she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983, she won the Sarah Siddons Award for her work in Chicago theatre. She appeared in a special 1982 episode of The Love Boat, joined by fellow showbiz legends Ethel Merman, Carol Channing, Della Reese, Van Johnson and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. Her last stage performance was a 1998 production of Stephen Sondheim's Follies, in which she played hardboiled Carlotta Campion and received rave reviews for her rendition of the song "I'm Still Here".

She was the subject of This Is Your Life in 1993 when she was surprised by Michael Aspel.


Miller appeared as a dance instructor in Home Improvement episode "Dances with Tools" (1993). Between 1995 and 2001, Molly Shannon parodied Miller several times on Saturday Night Live in a recurring sketch titled "Leg-Up!" In 2001, she took her last role, playing "Coco" in director David Lynch's critically acclaimed Mulholland Drive.


Outside of acting, she published two books. Her first book was an autobiography, Miller's High Life (1972). Her second book was Tapping into the Force (1990), about her experiences in the psychic world.
-----------------------------------------------------------------------------------------------------
5. Personal life :

Miller married three times, to Reese Llewellyn Milner in 1946, to William Moss in 1958, and to Arthur Cameron in 1961, and in between marriages dated such well-known men as Howard Hughes, Conrad Hilton, and Louis B. Mayer.  During her marriage to Reese Llewellyn Milner, while pregnant with daughter Mary in her last trimester, she was thrown down the stairs by Milner and went into early labor. Her baby Mary lived only three hours on November 12, 1946.
------------------------------------------------------------------------------------------------
6. Death :



Miller died, aged 80, from lung cancer on January 22, 2004, and her remains were interred in Holy Cross Cemetery in Culver City, California.


For her contribution to the motion-picture industry, Miller has a star on the Hollywood Walk of Fame at 6914 Hollywood Blvd. In 1998, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her. To honor Miller's contribution to dance, the Smithsonian Institution displays her favorite pair of tap shoes, which she playfully nicknamed "Moe and Joe".


*The handprints of Ann Miller in front of the Great Movie Ride at Walt Disney World's Disney's Hollywood Studios theme park

-------------------------------------------------------------------------------------------------
7. Filmography :


Film
Year Title Role Notes
1934 Anne of Green Gables School Girl Uncredited
1935 The Good Fairy Schoolgirl in Orphanage Uncredited
1936 The Devil on Horseback Dancer Uncredited
1937 New Faces of 1937 Herself, Dance Specialty
1937 The Life of the Party Betty
1937 Stage Door Annie
1938 Radio City Revels Billie Shaw
1938 Having Wonderful Time Camp Guest Uncredited
1938 You Can't Take It with You Essie Carmichael
1938 Room Service Hilda Manny
1938 Tarnished Angel Violet 'Vi' McMaster

1940 Too Many Girls Pepe
1940 Hit Parade of 1941 Anabelle Potter
1940 Melody Ranch Julie Shelton
1941 Time Out for Rhythm Kitty Brown
1941 Go West, Young Lady Lola
1942 True to the Army Vicki Marlow
1942 Priorities on Parade Donna D'Arcy
1943 Reveille with Beverly Beverly Ross
1943 What's Buzzin', Cousin? Ann Crawford
1944 Hey, Rookie Winnie Clark
1944 Jam Session Terry Baxter
1944 Carolina Blues Julie Carver
1945 Eadie Was a Lady Eadie Allen and Edithea Alden
1945 Eve Knew Her Apples Eve Porter
1946 The Thrill of Brazil Linda Lorens Alternative title: Dancing Down to Rio
1948 Easter Parade Nadine Hale
1948 The Kissing Bandit Fiesta Specialty Dancer
1949 On the Town Claire Huddesen

1950 Watch the Birdie Miss Lucky Vista
1951 Texas Carnival Sunshine Jackson
1951 Two Tickets to Broadway Joyce Campbell
1952 Lovely to Look At Bubbles Cassidy
1953 Small Town Girl Lisa Bellmount
1953 Kiss Me Kate Lois Lane 'Bianca'
1954 Deep in My Heart Dance specialty in 'Artists and Models'
1955 Hit the Deck Ginger
1956 The Opposite Sex Gloria MGM musical adaptation of The Women
1956 The Great American Pastime Mrs. Doris Patterson
1971 Dames at Sea Mona TV adaptation of stage musical[28]
1976 Won Ton Ton, the Dog Who Saved Hollywood President's Girl 2
2001 Mulholland Drive Catherine 'Coco' Lenoix (final film role)
--------------------------------------------------------------------------------------
8. Television :


Year Title Role Notes
1953 Lux Video Theatre Intermission Guest Episode - "Three Just Me"
1972 Love, American Style Episode - "Love and the Christmas Punch"
1982 The Love Boat Connie Carruthers Episodes - "The Musical/My Ex-Mom/The Show Must Go On/The Pest/My Aunt, the Worrier" (Parts 1 & 2)
1990 Out of This World Elsie Vanderhoff Episode - "Diamond's Are Evie's Best Friend"
1993 Home Improvement Mrs. Keeney Episode - "Dances with Tools"
---------------------------------------------------------------------------------------
9.Stage work :


George White's Scandals of 1939 (1939)
Can-Can (1968)
Mame (1969)
Hello, Dolly! (1971)
Anything Goes (1972; 1974; 1977)
Blithe Spirit (1973)
Panama Hattie (1976)
Cactus Flower (1978)
Sugar Babies (1979–83; 1984–85; 1988)
Follies (1998)
THE END.


=============================================================

Comments

Popular posts from this blog

Martha Raye (born Maggie Reed; August 27, 1916 – October 19, 1994) and nicknamed The Big Mouth, was an American comic actress and singer who performed in movies, and later on television. She also acted in plays, including Broadway. She was honored in 1969 at the Academy Awards as the Jean Hersholt Humanitarian Award recipient for her volunteer efforts and services to the troops.

Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film, and television actress. She came from a showbiz family, one of three acting sisters. Beginning her career on the stage, Bennett then appeared in more than 70 films from the era of silent movies, well into the sound era. She is possibly best-remembered for her film noir femme fatale roles in director Fritz Lang's movies such as Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945).

Jeanne Eagels (June 26, 1890 – October 3, 1929) was an American stage and film actress. A former Ziegfeld Girl, Eagels went on to greater fame on Broadway and in the emerging medium of sound films. She was posthumously nominated for the Academy Award for Best Actress for her 1929 role in The Letter after dying suddenly that year at the age of 39. That nomination was the first posthumous Oscar consideration for any actor, male or female.